harold and kumar escape from guantanamo bay

Corddry plays the wild-eyed zealot as a live-action cartoon who unthinkingly offends Jews, blacks and marginally less rabid colleagues (including an increasingly frustrated Roger Bart) in the name of keeping America safe. Ron Fox (Rob Corddry), the aforementioned Homeland Security chief with the personal hygiene problems, leads the massive manhunt for the fugitives he assumes represent a link to a new nexus of Al Qaeda and North Korean terrorists. From there, they must somehow make their way to Texas and seek help from Harold’s politically well-connected former classmate ( Eric Winter) - who just happens to be preparing his wedding to Kumar’s former sweetheart (Danneel Harris). The big difference this time is that, instead of seeking a beloved burger joint, Harold and Kumar are on the run because, after being mistaken for terrorists while aboard an Amsterdam-bound plane and getting shipped off to Guantanamo Bay, they miraculously escape and flee to Florida. Also once again, the buddies manage to subvert stereotypes (even while playing them for laughs) during close encounters with strangers who range from seriously weird to downright dangerous.Īnd yes, once again, the boys cross paths with Neil Patrick Harris, who takes unseemly delight in playing himself as a drug-consuming sexaholic who exploits his “Doogie Howser” fame at every opportunity. Once again, Harold (John Cho) and Kumar (Kal Penn), pot-toking twentysomethings with drastically dissimilar degrees of ambition, set out on a cross-country quest fueled by their taste for Cannabis. Indeed, long stretches are simply variations of comic riffs from the first “Harold & Kumar” misadventure. Not that the entire pic is a slapsticky, scatological remix of a Keith Olbermann tirade.

of Homeland Security chief literally wipes his backside with the Bill of Rights. Strangelove” - although, truth be told, it’s highly unlikely even Stanley Kubrick would have dared attempt a scene like the one here in which an insanely overzealous Dept. government agencies charged with waging the war on terror. Whether the pic can attract newcomers to the franchise –and score breakthrough success during its theatrical run - depends on the willingness of the masses to accept a sex-drugs-and-rock-‘n’-roll comedy so jeeringly critical of post-9/11 paranoia and so openly contemptuous of authoritarian excesses by U.S.

Harold and kumar escape from guantanamo bay